Megan Thee Stallion has done it again, stirring the pot with her latest release “Boa.” Fans were left in shock as the song appeared to take shots at both Nicki Minaj and Cardi B, reigniting old feuds and possibly starting new ones.
Megan has been consistently dropping hits for a while now, but her recent tracks have been particularly controversial. In her song “Cobra,” she addressed her breakup with Partisan Fontaine, revealing that he had cheated on her, contrary to rumors about her infidelity and drinking issues. This revelation came after she was publicly shamed during the Tory Lanez trial, making it all the more impactful.
Megan’s “His” took aim at Drake and Nicki Minaj, with particularly scathing lines about Minaj’s husband, Kenneth Petty. These lyrics brought up Petty’s disturbing past and prompted a fierce response from Minaj, who released a diss track called “Bigfoot” and launched into a tirade against Megan.
Now, with “Boa,” Megan is once again in the spotlight for her sharp words. She hinted at a falling out with Cardi B, despite their previously good relationship and collaborative tracks. The lyrics seemed to reference Cardi’s love for Birkin bags and a recent incident with her veneers, as well as her underperforming song with Shakira.
Megan didn’t hold back on Nicki Minaj either, referencing Minaj’s frequent social media rants and calling her out for not retiring. The line “Be your time up, why is you not clocking out?” directly challenges Minaj’s longevity in the industry.
Fans are divided over Megan’s tactics, with some criticizing her for using controversy to boost her music’s popularity. However, there’s no denying that the strategy has worked, with both “Cobra” and “His” charting on the Billboard Hot 100.
While Megan’s approach may be seen as bold, it has also been met with backlash. Comments from fans reflect a mix of admiration and disappointment, highlighting the complex dynamics in the rap industry. As the drama unfolds, one thing is clear: Megan Thee Stallion knows how to keep people talking.
